简介："Overtly a portrait of the filmmaker confessing his remorse at the scandalous manner in which he gat"Overtly a portrait of the filmmaker confessing his remorse at the scandalous manner in which he gathered material for his near-classic Spying, here an eerie interpersonal relationship is developed between the filmmaker and his camera which culminates in violence. The 'sin' as act of the imagination and its degenerative effect on the personality."—Henry Hills, 1981
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